Tooth and Nail Records, February 2007
Genre" Radio Rock
Rating: 4.5/5
For fans of Fall Out Boy and RED.
Many artists say that their third album is
usually their best, and this proves very true with Anberlin. Cities (Special
Edition) was produced by Aaron Sprinkle, the same person who produced “Never
Take Friendship Personal” and “Blueprints For The Black Market”, the bands
first two records. If you thought the jump in maturity between Blueprints
and NTFP was huge, this album will completely blow you away. As a part on
the special edition package, there is a bonus dvd that shows the band
recording the album at London Bridge Studios, in
Seattle Washington.
It also has three bonus songs not included on the regular version.
This album has a very specific sound to it.
Almost all of the songs have a common feel; however each song is radically
different from the next. You can hear consistent similarities between slower
songs, such as “The Unwinding Cable Car”, and faster, heavier songs, such as
their first single, “Godspeed”. You would think that this would give the
album a very repetitive and boring sound, however it is exactly the
opposite. The consistency between the songs draws you in as a listener, and
leaves you begging for more. Lead guitarist Joseph Milligan, who does most
of the bands’ songwriting, shows off his natural skill without drawing the
spotlight to himself. The guitars on this album are quite a bit heavier than
their last record, giving it almost a hardcore sound, but there is not even
a hint of screaming anywhere to be found. Another thing listeners will
notice is the difference in the drumming on Cities. 18 year old Nathan Young
has probably shown the most growth of anyone in the band between records. He
is able drum with a passion, and play without holding anything back,
something he said that he wasn’t able to do recording NTFP. Overall, the mix
of fast, guitar driven songs and slow melodic songs make the band sound like
they have been playing together a lot longer than the three years they
actually have.
According to lead singer Steven Christian,
the lyrics in Cities are focused on the age-old debate between man verses
self, unlike NTFP, which he described as man verses man. While it doesn’t
directly say anything about Christianity, the album gives listeners a
positive outlook in the constant debate. Steven’s vocal range on this album
is simply amazing. He is able to reach very high notes at high volume
without going over the edge and screaming. He is also singing backup on
almost all of the songs. The epic song *Fin is a great way to close the
album, with its haunting vocal arpeggios. All of the lyrics on this album
are clean, and give a positive outlook on any situations that may occur
while trying to find your purpose in life.
This cd is currently one of the most played
on my iPod, and I don’t see myself getting sick of it anytime soon. With the
amount of maturity on this record, I don’t see how Anberlin can improve on
their next album, which leaves me very excited about the bright future that
they have.